Triton Options

Combi Bank
Translator, when converting files into the Triton format, creates a .pcg
file contains a Program Bank (with 128 Programs) that loads into Bank E. It
also may contain a Combi Bank, if deemed necessary. On the Triton Rack it's
convenient to have this load into Bank E, but the Triton Keyboard does not have
Bank E. So an option is given you which Bank you'd like the Combi's loaded into.
Default: D
Program Bank
Default: E
Use Korg Naming Conventions
Korg, in the Triton manual, describes how they names their .ksc, .kmp, and .ksf
files. It's generic, which is nice for organization, but they aren't descriptive.
| KMP | STRIN004 | first five letters of multisample name, multisample number - 3 digits including zeros |
| KSF | MS013044 | "MS", plus multisample number, plus sample number - both 3 digits including zeros |
If this is unchecked, Transaltor will use the actual sample names.
Default: checked
Write to Triton LE banks
Default: unchecked
Parameter Tolerance
The Triton has a narrow sound structure in which to fit things into. For
a fairly complex instrument, Translator may have to make lot's of kmp files,
and most critically Programs, to adequately distribute the objects so they can
have their own parameter set.
For example, if you have a drum kit to translate, and say that each drum componant is panned to a different spot in the stereo field, Translator will have to form one Program for every two waves - because the Pan control is not in the KMP file; it's only in the Program. A Combi will likely be formed, and since a Combi can only handle 8 Programs, you will run out of space quickly.
This parameter handles problem situation like this. On higher values (50%),
parameters like Pan are rounded together so this slight compromise will result
in many waves occupying one KMP, instead of them having to be separated.
Default: 0%
Go To Comparison Options button |
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Velocity Grid
This averages incoming velocity ranges to fit a 16-part grid (out of 128
values). For example, a velocity of 5-90 will become 0-95, and 29-120 will become
32-127. This eases the pressure on the limited Triton format to accomdate
staggered or unusual velocity ranges.
Default: checked
Add Reverb
This enables a default light reverb on the sound when converting into Triton
format. Note: the Reverb is always written - this parameter simply enables
it to be played within the sound.
Default: checked
Wet/Dry Balance
This is the Wet-Dry balance of the reverb noted above. Note: the Reverb is
always written - this parameter simply controls the balance of it WHEN it
is enabled.
Default: 10:90